Category Archives: Yorkshire

Wedding rings

What a perfect day! Today I have been helping a couple to make each other a silver wedding ring. We began the day by looking at examples and talking about preferred finishes, as this has an impact on the size of the ring band. Then they had a bit of practice with a jewellers piercing saw and making hammer marks before measuring fingers and carefully calculating the length of silver strip required allowing for the different widths and thicknesses they had chosen. After filing the ends of their silver strips they bent them to meet precisely before soldering them. Then came the fun and noisy part – creating the hammered textures.

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After much hammering, sanding and polishing here they are

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two perfectly fitting weddings rings!

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I know they had a lot of fun making these for each other and it gives them another happy shared memory – best wishes to them both for a lovely wedding and long and happy future!

This kind of workshop is always really rewarding – I love to see the pleasure clients get from making their own special piece of jewellery.

Studio heaven

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I love my studio, it is the perfect place and a dream come true. I haven’t done very much work today but it is a bank holiday weekend! I did pop into the studio and make a hammered ring in sterling silver.

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It was really just to check that I could remember how to calculate length, thickness and width of the silver shank and make it to a particular size, allowing for the hammering of the texture. I will be teaching silver ring making tomorrow. I have made many rings of this type over the years but always like to check and refresh my techniques as part of my lesson planning. The studio is all set up ready for tomorrow’s workshop so I will have a relaxing evening. I hope the weather is as fine as this tomorrow as it really shows the landscape to its best advantage, always nicer for visitors to see the dale basking in sunshine.

Another perspective

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Here are my first four little buildings. I am calling them places for dreams. These four are made using traditional silver smithing techniques – texturing the silver sheet, cutting out shapes and soldering them together before altering textures and polishing them. I have had a lot of pleasure constructing these little silver charms and will continue to make more work in this collection through the summer. If you would like to learn to make your own piece of jewellery, using traditional methods or metal clay, then please contact me. I will be taking part in North Yorkshire Open Studios from the 9th June 2012, when these pieces and other work will be for sale. Let me know if you would like a leaflet or more information.

Altered perspective

Another little building for dreaming, this is the corner of a cottage. I decided to try playing around with perspective drawing so took one of my tiny sketches and did a quick perspective sketch. I then traced out the pieces to make a paper template and transferred the outlines onto textured sterling silver sheet. After sawing out the pieces I soldered on a panel for the roof and a base before cleaning them up and giving the piece a polish. I haven’t polished it too much as some of the textures I have used are quite fine and it would be easy to polish them away.

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This was an interesting experiment and something I think I will return to. I am enjoying making work from sterling silver sheet using traditional silver smithing techniques. It is something I enjoy teaching so if you would like learn to make you own silver pendant or ring then please check out my class schedule or email me for further information.

Secret places

I love teaching silver clay but it is also good to get a bit of studio time to work on designs for a new range of silver charm jewellery. These are the first two of a series of tiny buildings in a series called Houses for dreams.

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They are constructed from sterling silver sheet using traditional jewellery making techniques. I have roll printed some of the textures and hammered and ground others direct into the surfaces of the silver. They are pieces that have been lingering in my sketchbook for a considerable period and my interest in buildings dates back to my time as a University tutor lecturing in the history of architecture and design. I also wanted to go back to using traditional silver smithing techniques for a series of pieces – it is always important to keep up these skills too, alongside the metal clay and lamp-working. I hope to make a few more pieces in this range before the beginning of North Yorkshire Open Studios. This year I will be open on 9th and 10th June, 16th and 17th June 2012. I will also be open by appointment during the week in between these dates. There are still plenty of opportunities for classes though and for further information please see my class schedule on the website or email me

Back at the torch

Fresh from the kiln is this little batch of hand made lamp work glass beads, fully annealed. Some of them are large holed charm style beads and when I have cleaned them up they will have silver cores added. The others are perhaps a bit unusual in colour choice but I am excited about these and planning another large scale necklace, combining glass beads with enamel and art clay silver. The plan is to make something a bit more architectural in inspiration.

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I have been looking through my many old photographs of buildings, taken mostly during the period I taught history of architecture, when I used to drag my long-suffering partner off to photograph buildings during the University holidays. I have a few ideas sketched out and need to do a bit more design work before I actually begin to make them. I still photograph details of building whenever we go out, so old habits die hard.

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This fabulous creature is the door knocker at Durham Cathedral, which we visited last Friday and I am sure it will be inspiring something in the future.

More enamelled wildlife

I am looking forward to the Guild of Enamellers annual conference which begins tomorrow at Reaseheath College near Nantwich. There is a fantastic programme of events organised by the current Chair of the Guild, Tilly Wilkinson (who will herself be teaching in my studio here in Glaisdale in July). I was going to be in a workshop run by Dale Devereux Barker but, due to unforeseen circumstances, will probably run a small class in art clay silver for enamel. I had offered to be a ‘reserve’ so wasn’t too worried about having to pull my kit together at the last minute but a bit concerned about examples so have had to get my self into gear and finish off a couple of things that have been on my workbench for ages.

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I finished off the enamelling on some of these bobbin style beads and gave them a quick polish. They needed finishing as they are samples for a class I am running later in the year. The toggle and clasp on this bracelet are also art clay silver and are constructed hollow forms.

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Then I enamelled this bead. It has two different sized koi carp on it and is also constructed in silver clay. The ripples in the watery background were carved into the cylinder of the bead and the fish were then made in low relief using art clay silver paste type. Fine silver wires were added after the first firing using a technique developed by my good friend Joy Funnell and the bead was fired again. I will probably wear this myself as it is the first focal bead I have made like this (although I am not sure about the yellow)!

Anyway, samples are packed, tools and class kits, clothes, all crammed into my suitcase, a slightly larger one than I anticipated taking. I am looking forward to relaxing on the train and to meeting everyone tomorrow around 4pm and seeing all the exciting pieces of work that I have produced for the members and themed exhibitions. I am also looking forward to meeting David Bainbridge of Milton Bridge Ceramic Colours Ltd who is giving a talk on Friday evening. I had a lot of telephone conversations and correspondence with him last year on behalf of the Guild, as part of an EU consultation on the restriction of lead in jewellery. He did a huge amount of work answering questions raised by the EU relating to enamels, so it will be good to be able to meet up at last.

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Here is the stuff I am taking for the class, although I eventually decided to leave the hairdryer out!
It packed up quite neatly but I guess I probably won’t get it all back into the box again at the end of class.

Enamelling classes

I have been busy teaching for the past couple of days and doing little bits of work on my own pendant in between.

Yesterday Stephi was working in a corner of the studio, busy enamelling intricately cut out copper shapes and happy to be able to get on with her own work. While she was doing that I had Moira making her first little pieces of cloisonné enamel on silver.

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Here they are both working away. Moira had done a little bit of enamelling on copper before but yesterday she did very intricate shapes in fine silver wire before learning to wet lay enamel into them, firing each layer before finally stoning the piece smooth and re-firing it.

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This was very successful for a first attempt at cloisonné. To see Stephi’s work you need to pop over to her blog and follow her creative adventures.

Today June has been here doing experiments with enamel on steel and copper. I introduced her to the technique of using wet process enamel to coat both sides of her metal in one firing.

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Here she is dipping and tilting her piece to make the liquid enamel settle evenly over the surface of the cleaned metal. She has had a very busy day and hopefully learned a few different techniques for developing her patterns and textures and I look forward to seeing her finished work later in the summer.

I have had a lovely couple of days. It is very rewarding teaching and exploring ideas with other creative people. Tomorrow I will be packing ready to set off to the Guild of Enamellers annual conference, always a highlight of year. I need to finish off my pendant and makes a couple of samples, then sort out and pack my tools and equipment, ready to set off bright and early on Friday morning.

Bright enamel colours

I have fired and prepared the silver for the pendant I have been working on today. I then polished it and applied a few fine silver wires to create cells to enamel into. The piece was then refired to attach the wires and polished again. It is now sitting on the bench waiting to be enamelled.

The vitreous enamels have all been ground and washed ready to use and I have done a small test of all of the colours I intend to use

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I love the vivid possibilities of enamel on silver jewellery.

I will be teaching enamelling later this week and also have classes scheduled for May. Full details can be found in an earlier post or on the website
Please email to book your place or for further information.

A tiny frog

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I am making it as part of a larger pendant in Art Clay silver. Here are some of the tiny pieces at an early stage, before I began to assemble the frog. It will be peeping over the edge of a leaf in the final piece.

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If you would like to design and make your own unique piece of jewellery I teach jewellery making in many different media here in my studio in Yorkshire. Courses include traditional silver jewellery making, silver clay, enamelling, metal clay, bead making and jewellery using plastics. For more information see my website or email