Category Archives: silver jewellery

Wedding rings

What a perfect day! Today I have been helping a couple to make each other a silver wedding ring. We began the day by looking at examples and talking about preferred finishes, as this has an impact on the size of the ring band. Then they had a bit of practice with a jewellers piercing saw and making hammer marks before measuring fingers and carefully calculating the length of silver strip required allowing for the different widths and thicknesses they had chosen. After filing the ends of their silver strips they bent them to meet precisely before soldering them. Then came the fun and noisy part – creating the hammered textures.

20120507-170303.jpg
After much hammering, sanding and polishing here they are

20120507-170435.jpg
two perfectly fitting weddings rings!

20120507-170557.jpg
I know they had a lot of fun making these for each other and it gives them another happy shared memory – best wishes to them both for a lovely wedding and long and happy future!

This kind of workshop is always really rewarding – I love to see the pleasure clients get from making their own special piece of jewellery.

Studio heaven

20120506-191331.jpg
I love my studio, it is the perfect place and a dream come true. I haven’t done very much work today but it is a bank holiday weekend! I did pop into the studio and make a hammered ring in sterling silver.

20120506-191508.jpg
It was really just to check that I could remember how to calculate length, thickness and width of the silver shank and make it to a particular size, allowing for the hammering of the texture. I will be teaching silver ring making tomorrow. I have made many rings of this type over the years but always like to check and refresh my techniques as part of my lesson planning. The studio is all set up ready for tomorrow’s workshop so I will have a relaxing evening. I hope the weather is as fine as this tomorrow as it really shows the landscape to its best advantage, always nicer for visitors to see the dale basking in sunshine.

Another perspective

20120502-133246.jpg
Here are my first four little buildings. I am calling them places for dreams. These four are made using traditional silver smithing techniques – texturing the silver sheet, cutting out shapes and soldering them together before altering textures and polishing them. I have had a lot of pleasure constructing these little silver charms and will continue to make more work in this collection through the summer. If you would like to learn to make your own piece of jewellery, using traditional methods or metal clay, then please contact me. I will be taking part in North Yorkshire Open Studios from the 9th June 2012, when these pieces and other work will be for sale. Let me know if you would like a leaflet or more information.

More enamelled wildlife

I am looking forward to the Guild of Enamellers annual conference which begins tomorrow at Reaseheath College near Nantwich. There is a fantastic programme of events organised by the current Chair of the Guild, Tilly Wilkinson (who will herself be teaching in my studio here in Glaisdale in July). I was going to be in a workshop run by Dale Devereux Barker but, due to unforeseen circumstances, will probably run a small class in art clay silver for enamel. I had offered to be a ‘reserve’ so wasn’t too worried about having to pull my kit together at the last minute but a bit concerned about examples so have had to get my self into gear and finish off a couple of things that have been on my workbench for ages.

20120412-204736.jpg
I finished off the enamelling on some of these bobbin style beads and gave them a quick polish. They needed finishing as they are samples for a class I am running later in the year. The toggle and clasp on this bracelet are also art clay silver and are constructed hollow forms.

20120412-205005.jpg
Then I enamelled this bead. It has two different sized koi carp on it and is also constructed in silver clay. The ripples in the watery background were carved into the cylinder of the bead and the fish were then made in low relief using art clay silver paste type. Fine silver wires were added after the first firing using a technique developed by my good friend Joy Funnell and the bead was fired again. I will probably wear this myself as it is the first focal bead I have made like this (although I am not sure about the yellow)!

Anyway, samples are packed, tools and class kits, clothes, all crammed into my suitcase, a slightly larger one than I anticipated taking. I am looking forward to relaxing on the train and to meeting everyone tomorrow around 4pm and seeing all the exciting pieces of work that I have produced for the members and themed exhibitions. I am also looking forward to meeting David Bainbridge of Milton Bridge Ceramic Colours Ltd who is giving a talk on Friday evening. I had a lot of telephone conversations and correspondence with him last year on behalf of the Guild, as part of an EU consultation on the restriction of lead in jewellery. He did a huge amount of work answering questions raised by the EU relating to enamels, so it will be good to be able to meet up at last.

20120412-210707.jpg
Here is the stuff I am taking for the class, although I eventually decided to leave the hairdryer out!
It packed up quite neatly but I guess I probably won’t get it all back into the box again at the end of class.

A tiny frog

20120408-221621.jpg

I am making it as part of a larger pendant in Art Clay silver. Here are some of the tiny pieces at an early stage, before I began to assemble the frog. It will be peeping over the edge of a leaf in the final piece.

20120408-221919.jpg

If you would like to design and make your own unique piece of jewellery I teach jewellery making in many different media here in my studio in Yorkshire. Courses include traditional silver jewellery making, silver clay, enamelling, metal clay, bead making and jewellery using plastics. For more information see my website or email

Not much change there then!

I was searching the Internet for something enamel related and came across an old article from 2008. It really made me smile to read it. I think my jewellery making skills have improved substantially since then. Although I gave up working as a University tutor I didn’t really give up teaching and now run jewellery making and enamelling classes in my own studio. I still like to experiment with non-traditional materials in jewellery making from time to time too.

20120406-091451.jpg

Included in this montage are a ring made in felted wool and a necklace of white flowers made a few years ago from the very everyday plastic milk carton.

I have all kinds of interesting classes here this year, look here for more information or to book email

Bright turquoise enamel

Setting up my new display cabinet in the studio has given me an opportunity to review some of my work.

20120330-205940.jpg
This spot twist pendant is vitreous enamel on silver and in a beautiful summer shade of turquoise blue. The reverse of the pendant is textured and has gold highlights using the tradition Korean technique of Keum Boo. The piece is part of a range of jewellery with a twist and I can make this using a variety of enamel colours. The twist means that the pendant moves around while you are wearing it, sometimes giving a glimpse of the other surface. It creates quite an animated piece of jewellery, fun to wear. If you reverse it then the coloured spots are almost hidden from view.

If you are interested in learning to make your own unique piece of jewellery then email me to book a place on one of my courses. More information about enamelling, metal clay, art clay silver or PMC classes can be found here

I love the variety of effects that can be created using enamels on silver. Here are two pieces I made when I first started using Art Clay Silver and had just begun to experiment creating textured pieces to enamel onto. They date from around 2006. This type of piece is easily created in a beginners enamelling workshop and can be completed and ready to wear within a day.

20120330-210648.jpg
The right hand pendant is made by taking a small mould from a limpet shell and then pressing the silver clay into the mould so that it picks up the wonderful textures. These raised areas of texture create cells to enamel into and offer the enamel a bit of protection while the pendant is being worn. The patterns of nature are a beautiful thing.

Jewellery making classes

I have had a lovely day ‘tweaking’ my main jewellery display in the studio. This really is the final stage of my refurbishment and the studio is looking lovely, all the tools and equipment are in place ready for classes.

20120329-201112.jpg

For details of my class schedule go to my website and email to book a place.

I have made a few more large holed beads and am planning a series of brightly coloured beads for summer bracelets. After annealing in the kiln these will be ‘cored’ using my wonderful Mango Beadliner Press and will be part of a new collection of work for North Yorkshire Open Studios. My studio will be open for that event on 9th, 10th and 11th June and 16th and 17th June (and by appointment during the week in between) and I am excited about being part of this event once again.

The weather here has been unusually mild so I have taken my coffee breaks sitting in the garden (astonishing for March). My flowering cherry tree is just coming into leaf although it has been flowering almost continuously since last December. It is looking particularly beautiful at the moment so I think it must be time to make some flower inspired work!

20120329-202325.jpg

Mango Beadliner

I have never felt the need to do a tool review before but am so thrilled by my Mango Beadliner that I just have to share this. My partner bought me the press as a Christmas present but, due to the building work in my studio, this is the first opportunity I have had to use it.

20120324-110239.jpg

When I began making lampwork glass beads it was the large holed charm style bracelet beads I was really interested in, making them to compliment my silver and enamelled jewellery. I have always been frustrated that, even with my existing silver smithing skills, making the successful silver core was such a stressful operation and I was just as likely to destroy the bead as make a successful core. I tried a number of different ways of doing this but always reverted to gluing Silver end caps into my beads rather than putting the pretty glass beads at risk.

The Mango Beadliner is the result of collaboration between Manda and her partner David and is a system incorporating a flaring press and a finishing press. Their unique Finishing Dies gently flatten and then turn the edge of the silver on the surface of the hole. I can vouch for this being extremely effective. Their dies are designed to prevent chipping and cracking and their unique shape ensures that pressure during this second stage is not applied to the contours of the bead hole which is what causes cracking and chipping. Instead one die flattens the flared silver to the bead whilst at the same time supporting the inside of the tube preventing ‘crinkling’. The Finishing Die ‘secures’ the silver tube by gently turning the edge of the tube down on the surface of your bead ensuring no pressure is applied in the wrong place.

20120324-111153.jpg
The press was delivered with a small section of flared silver tube set between the flaring dies to remind me what to do.

20120324-111403.jpg

This is my second successfully cored bead followed by a photo of the first five, all easily, successfully and perfectly cored.

20120324-112056.jpg
I tested it on beads of a variety of thickness and with different depths of dimples and it coped with them all. This Mango Beadliner is beautifully engineered and is very easy to use. I love it when a tool works so well, it makes the job of adding a silver core to my beads a pleasure (I love Manda’s beautiful beads too).

A little on the gothic side

I have been doing research with other volunteers at Whitby Museum and helping to design a small display about Bram Stoker’s visit to Whitby in 1890. My work is often influenced by historical ideas and artefacts but I didn’t really make a conscious decision to create something with a gothic influence. There were a few brightly coloured beads in the batch I have just annealed and a batch of tiny black beads ready for use in a necklace but here is the best of the batch of large holed beads, suitable for wearing on a bracelet or necklace.

20120313-204330.jpg
Fresh from the kiln, they still need cleaning and finishing.

If you are interested in buying any of my large holed beads then please get in contact

I also teach classes in metal clay, art clay silver and enamelling here in my purpose built studio in North Yorkshire. For more information please visit my website